Showing posts with label writing. Show all posts
Showing posts with label writing. Show all posts

Sunday, February 07, 2010

(re-posted) Call for Submissions: Queering Sexual Violence

(re-posted from womanist musings)

I think I may submit an essay for this.
This is something that I've been frustrated by for years. I wrote this (ugly-messy truth) post almost 2 years ago. I spent my last semester at Smith immersed in theory and stories of and around queer survivors of childhood sexual abuse, writing a paper on how these stories are told. Thesis, way boiled down: aside from a few incredible, brave exceptions, these stories are not told. Not in a way that allows one to link (in a queer-positive way) the identities of being queer and being a survivor.

Almost 3 years later, I still think about that paper every other week or so. I still have it in a beat-up manila folder that I carry around with me when I'm heading to coffee shops, re-reading it and seeing what can be edited.

Anyway.
All of this to say:
I'm stoked that this project is happening!

And, like I said, I may very well submit an essay. We'll see.

Call for Submissions: Queering Sexual Violence

An anthology of LGBTQ writers, survivors and activists confronting heterosexual privilege and the gender binary system while creating a dialog about the limitations of the anti-sexual violence movement in hopes of creating change.
Edited by Jennifer Patterson

Queering Sexual Violence seeks 20- 25 LGBTQ writers who are interested in submitting pieces that confront the current state of our anti- sexual violence climate. Part memoir/ part criticism/ part call to action, this anthology seeks to address the limitations of a society that is not only unequipped to deal with rape culture but also unable to look at it without the lens of heterosexual privilege and through the interests of a gender binary system. The anthology seeks to destroy the image of the “perfect survivor” and motivate the anti-sexual violence community to embrace a more radical perspective in order to foster sustainable change.

For general purposes, the definition of Sexual Violence attached to this anthology is as follows:

Sexual Violence is an unwanted or non- consensual act, whether completed or not, that is sexual in nature and violates a person physically, emotionally, spiritually and/or politically.

To be more clear, Sexual Violence can be a range of non-consensual sexual exchanges, from unwanted interactions on the street, to non- consensual rape from either a stranger or within a relationship, to incest or also invasive sexually based comments in regards to ones gender presentation or identity, among many other things.

The pieces submitted should be of the writer’s personal experience and explore the intersections of ability, sexuality, race, class, religion, citizenship, gender identity, sex, age, ethnicity and how these either magnify or minimize your experience/ work and your history with sexual violence. I encourage you to write about living as a “survivor” but also the ways in which you navigate and celebrate not being a “typical” survivor (as I am sure most of us are not, by the larger societal definition.)

I believe that organizing from the center of our many different and overlapping marginalized communities could do nothing but improve the current anti- sexual violence movement.

I am looking for pieces 1200- 2000 words, Times New Roman Size 12, double-spaced in length. Upon publication, I will supply moderate compensation for pieces picked. Also, please provide a short bio (150 words or less) with your submission.

Please send submissions and/ or questions to queeringsexualviolence@gmail.com by March 31, 2010. For extension requests, please write.

Sunday, March 01, 2009

poems for survival

A Litany for Survival
Audre Lorde (in The Black Unicorn)

For those of us who live at the shoreline
standing upon the constant edges of decision
crucial and alone
for those of us who cannot indulge
the passing dreams of choice
who love in doorways coming and going
in the hours between dawns
looking inward and outward
at once before and after
seeking a now that can breed
futures
like bread in our children's mouths
so their dreams will not reflect
the death of ours:

For those of us
who were imprinted with fear
like a faint line in the center of our foreheads
learning to be afraid with our mother's milk
for by this weapon
this illusion of some safety to be found
the heavy-footed hoped to silence us
For all of us
this instant and this triumph
We were never meant to survive.

And when the sun rises we are afraid
it might not remain
when the sun sets we are afraid
it might not rise in the morning
when our stomachs are full we are afraid
of indigestion
when our stomachs are empty we are afraid
we may never eat again
when we are loved we are afraid
love will vanish
when we are alone we are afraid
love will never return
and when we speak
we are afraid our words will not be heard
nor welcomed
but when we are silent
we are still afraid

So it is better to speak
remembering
we were never meant to survive


(via.)
also: listen here. (will play automatically)





and, of course:
Still I Rise
Maya Angelou

You may write me down in history
With your bitter, twisted lies,
You may trod me in the very dirt
But still, like dust, I'll rise.

Does my sassiness upset you?
Why are you beset with gloom?
'Cause I walk like I've got oil wells
Pumping in my living room.

Just like moons and like suns,
With the certainty of tides,
Just like hopes springing high,
Still I'll rise.

Did you want to see me broken?
Bowed head and lowered eyes?
Shoulders falling down like teardrops,
Weakened by my soulful cries?

Does my haughtiness offend you?
Don't you take it awful hard
'Cause I laugh like I've got gold mines
Diggin' in my own backyard.

You may shoot me with your words,
You may cut me with your eyes,
You may kill me with your hatefulness,
But still, like air, I'll rise.

Does my sexiness upset you?
Does it come as a surprise
That I dance like I've got diamonds
At the meeting of my thighs?

Out of the huts of history's shame
I rise
Up from a past that's rooted in pain
I rise
I'm a black ocean, leaping and wide,
Welling and swelling I bear in the tide.

Leaving behind nights of terror and fear
I rise
Into a daybreak that's wondrously clear
I rise
Bringing the gifts that my ancestors gave,
I am the dream and the hope of the slave.
I rise
I rise
I rise.



Even better, see her recite it herself:


and, 'cause i can't resist a link to this piece of beauty if i get a chance....Ben Harper's version:

Wednesday, August 27, 2008

peerless.

(full disclosure for this post: i have a personal investment in the subject of spelling. here's why: i was thisclose to making it to the national spelling bee when i was in 8th grade. at regionals, i missed the word that is the title of this post - peerless - because the word-giver [is there an actual job title for this?], who i have yet to forgive, pronounced it "perilous." the sentence she gave could've gone either way. had i asked for a definition, i would've easily gotten it -- and every other word that would've fallen on my turn -- and, most likely, gone to nationals. but instead, i spelled "perilous," and was eliminated. and no, i'm not still bitter about a contest that happened over ten years ago. why do you ask?)


according to this article on spiked (via), some "progressive" educators are arguing in favour of de-emphasizing correct spelling and, instead of engaging in the tedious task of correcting students' spelling, accept the most commonly misspelled words ("truely" in place of "truly," for example) as "variant spellings." they claim that an adherence to correct spelling is elitist, discriminating against people from "disadvantaged backgrounds."

my first thought: have these people not seen Akeelah and the Bee? a young girl, quite disadvantaged, from south LA, wins the National spelling bee on her first trip there. a talent for spelling did not elude her, so why should it elude other similarly disadvantaged students?

thought number 1.5: what kind of generalization is that? assuming that "disadvantaged" (read: low-income, people of color, inner city, Other) kids can't spell? talk about elitist assumptions.

my second thought: ok, there's a good possibility that kids who've grown up and have been placed at some kind of educational disadvantage perform less well in spelling than their more advantaged counterparts. it's not as if educationally disadvantaged students are the only ones consistently employing these "variant spellings." really. this fact comes from a girl who was educated in a very good public school and attended a top tier college. even if it were confined to those "disadvantaged" students, the answer is not to meet them at their misspellings. maybe a step would be to, i don't know, stop de-funding education, put a little effort into these neglected schools, actually make the educational changes we've needed to make for years.


maybe i'm a spelling purist. if it's "progressive" educators that are lobbying for the acceptance of "variant spellings," maybe that makes me "conservative." for once, for the only time in my life, i'm ok with that label. literacy is not a luxury of the elite, and correct spelling is an indispensable facet of literacy. illiteracy is not a badge of honour, or, like the article rightly bemoans, a "virtue." spelling is not arbitrary. spelling things incorrectly does not show your self-expression or creativity.

there is a place for self-expression and creativity in literature, of course. literature would not continue evolving if that weren't the case. it's ok to sometimes cast off some of the restrictive grammatical rules in order to expand literary creativity. you'll notice that i rarely construct sentences that include capitalization, and that often, i include sentences with one or two words - not a complete sentence, by definition. this is not, however, because i don't understand correct grammar or sentence construction or literary rules. i generally do not capitalize the first word of sentences for aesthetic purposes. i like the way paragraphs look without the interruption of capital letters. (i could probably make an argument challenging the hierarchical nature of capitalization, but that's really not my motivation.) my incomplete sentences exist for the sake of the literary voice that i've chosen. the voice i write with reflects the voice i speak with. i think that's an important similarity for a writer.
the difference here is that i know what the literary rules are. i'm consciously choosing to break them, for reasons that are defensible in the literary world. misspelling words due to ignorance of their correct spelling, though? that's not "variant" or "self-expression." that's just an aspect of illiteracy.




lastly, a note on the argument Frank makes near the end of the article:
In essence, variant spelling is a true companion to the idea of variant truths. Contemporary cultural life has become estranged from the idea of Truth with a capital T. In academia, social scientists never tire of informing students that there are no ‘right’ and ‘wrong’ answers. Instead of the truth, people are exhorted to accept different perspectives as representing many truths.

The demotion of the status of truth calls into question the purpose of gaining knowledge. Celebrating variant truths, like variant spellings, is presented as a pluralistic gesture of tolerance. In fact it represents a reluctance to take education and its ideas seriously. And not surprisingly, those who do not take ideas seriously are also not very worried about how they are spelled.


as an avid challenger of accepted capital-T Truths, i disagree with this. the calling into question of the status quo, of long-accepted social Truths (i.e. normativity and homogeneity) does not call into question the value of gaining knowledge. on the contrary; gaining knowledge is one of the things that allows the status quo to be challenged. the academy is certainly not the only place that Truths can be challenged, but it's been an important front in that for a while now. for example, i (and many feminist scholars) absolutely disagree with the long-accepted "Truth" that small children have inherent differences based on their genitalia. little boys can be just as sensitive and pink-loving as little girls, and little girls can love to play with trucks and do science experiments just as much as little boys. challenging that Truth had absolutely nothing to do with employing "variant spellings." there is absolutely no connection.
seeking and accepting a pluralistic version of truth(s) doesn't mean taking ideas less seriously. making the connection between progressive scholars advocating for the acceptance of a variety of truth and "scholars" advocating for the acceptance of "variant spellings" is a red herring, and an ineffective one at that.

Thursday, March 20, 2008

other people's writing.

(because today, writing about my own individual healing is just a little bit too raw.)



this piece is from Word Warriors, an anthology of female spoken word artists, edited by Alix Olson.


Miscarriage, by Thea Hillman

I have been a mother many times, but I have never been pregnant.

There was that one child, older than me. I picked her up in a bar. Her apartment was small. She leaned back against her headboard, smug and sexy. Her mouth went slack, eyes soft, when she pulled down the straps of my bra. She made a noise I didn't understand yet.

I am the mother she never had. There have been a few of us in her life, makeshift mothers who fuck away the pain, or cry trying.

It was only moments, but it was no longer just sexy. She buried her head in my chest, arms around me. Surprised, I held her close. Something happened to this girl's mother, my head told me. This girl hasn't had a mother in a long time, my heart told me.

I am only thirty but I have been a mother to many girls. Oh my sweet girls. I haven't saved a one of them yet.

I hold her. Tell her she's beautiful. Hold her and rock her when she's hysterical, heaving sobs harder than any I've ever cried and I wonder, how will I ever hold all those tears, how can I teach her to let them go, that they are part of an ocean, lapping a welcome shore? My mother's heart breaks for a baby that isn't mine and for a child I know I'll have to give up.

I hold many of them longer than nine months. I have never carried any of them to term. It's funny that miscarriage sounds so much like marriage, but without the promise, the ring, or a future.

Poor baby. She is older tahn me, but I see the beatings in her young eyes housed in an ancient face. It's the pictures that kill me, a knife twisting in my mothergut. She shows me pictures. She hands me her hurt like a beloved headless doll, oblivious to what it reveals, each year another scar. The baby eyes in the pictures give way to a hard teenage grin and a glint that makes me wince. Each year a pristine new dress hung off her, and the pictures look progressively wronger than the year before, the boy peeking out from the girl that's getting beaten to death inside there, by her mother, by her.

I fall for the girl who takes refuge in her brother, in boyhood, the girl who sees her survival in a square ass and flat chest. Today my girls wear army fatigues, hooded sweatshirts, and briefs. Their shoulders curve to hide their chests. They get mistaken for boys on the street and in public bathrooms, but I see the little girls, invisible to the others, but unmistakable to me. Bigger than me, they get sirred all the time, but they'll always be my little girls.

I love their little boy bodies. I love their breasts. I put food on the table, I hold down a job, I keep the house clean. Each time I tell myself, this one, she'll be the one, I'm going to save this one. And she lets me in. She lets me touch her. She lets me in and I tell her I love her and I tell her how to keep a job, to feed herself, to succeed in the world. I tell her I believe in you, you have something to offer the world, you have a chance. But motherless girls don't want to be nurtured, they want to be mothered. And they'll do anything to not grow up, and not let go. So with every word of encouragement, I cement her failure. With every hope, every word of support, I build the tower of expectation she's going to fall from. And then with every hurt and disappointment, I seal a future without me in it. For she is motherless, and I will necessarily lose her, she will necessarily grow up without me. I lose another baby. And maybe I will try again, when the bleeding resumes.

Thursday, March 13, 2008

writing as healing

essence


to start off:
new memories are fuckin' hard.

(at one point, i would've looked at this as an obstacle to be avoided. who knew that i'd ever get to the point where i look at this as an obstacle to be surmounted, healed, learned from?)





and to expand, in a completely depersonalizing (or, well, not "depersonalizing" so much as "masking the too-revealing personal truths") way:
writing as healing.

i've had a long, long, long post in the works about this topic for over a month now.
it's still not nearly finished - in fact, it might be one of those that never gets "finished" - but here's a little bit of it. a little taste.


this one's about writing and healing, about healing through writing and writing as a conduit of healing.
(i love that word, “conduit.” i’ve recently rediscovered it. “a means of conveying something from one location to another.” moving from (wounded) location to (healing/healed) location. appropriate, no?)

so here we go, some thoughts on writing, healing, the process, telling the truth, and so on.

the woman whose (adorable!) daughter I babysit, Nerissa Nields, has this quote on her website:
I believe that our stories are what make us sick AND our stories are what heal us.

i'm also currently reading this absolutely incredible book by Louise DeSalvo: Writing as a Way Of Healing.
in this book, she quotes Wayne Muller:
our own wounds can be vehicles for exploring our essential nature, revealing the deepest textures of our heart and soul, if only we will sit with them, open ourselves to the pain,...without holding back, without blame.


in this same book, DeSalvo talks about how not telling our stories makes us sick, both emotionally and physically. by extension, then, telling our stories heals us, not only emotionally, but physically as well.
over time...the work of inhibiting traumatic narratives and feelings acts as an ongoing stressor and gradually undermines the body's defenses. like other significant stressors, inhibiting our stories and emotions can adversely affect immune function..


this isn't really a new concept for me; a good friend - we'll call her T - and i have been talking for a while about how this kind of suppression / repression / woundedness is probably behind her severe anemia, my roommate's borderline narcolepsy, my own poor immune system, my mother's fifteen (and counting) physical disorders, even T's mother's death.

so.
our stories make us sick, yes. holding them in, inhibiting them, repressing them sets off an extremely unhealthy cycle: we get sick because we don't open up to our stories, we tell ourselves we can't open up to our stories because we're not well enough to deal with the ramifications we imagine would come with this kind of openness.
and we can't get well by constantly, actively repressing our stories, the traumatic events of our past. we get sicker.




that paper i tried to write at the end of my senior year at smith centered around "breaking the silence." i came to kind of hate that aphorism. it seemed overused and, after reading writer after writer using it to describe how they Healed From Abuse™, i was sick of it. i'd been talking about the abuse for years, since i was 15. i'd broken the silence, and i wasn't healed. my "healing" path, my silence-breaking, wasn't achieving that kind of healing catharsis that was supposed to come from telling my story, from "breaking the silence."
yet, despite my cynicism, my argument in the paper was still based on the revolutionary aspect of breaking the silence, particularly, the community- (and self-) imposed silences around being both queer and a victim/survivor of sexual violence. i knew i didn’t fit into the model of The Survivor – at least, the one who Healed by breaking her silence – but i still saw the potential of that model. how breaking the silence could be revolutionary, could be a (the?) path to healing…even if i hadn’t quite found that path yet, or figured out how it worked. i’ve always seen the value of breaking the silence, always repeated that aphorism, even as it frustrated and eluded me.
frustrating and elusive because i was talking. i was writing. i was, at times, talking and writing at length about the abuse. breaking that silence. but something was missing. it wasn’t helping. i wasn’t healing.

what i didn’t realize then, what i didn’t realize until recently, is that there’s a particular kind of breaking that silence that is healing; just talking in facts, sans emotion, the way i had been for years, isn’t the kind of healing silence-breaking that i’d been seeking.

not feeling feels safe. being numb feels safe. but it’s not healing.

DeSalvo cites a study that forms the basis of her book, her program for writing as healing. the study was done by James Pennebaker and Sandra Beall, and they found that writing a full narrative -- with both facts and emotions -- of a trauma was healing in a way that writing only half (only facts, or only emotions) was not.
We must write in a way that links detailed descriptions of what happened with feelings – then and now – about what happened. Both thinking and feeling are involved. Linking them is critical. Feelings about the traumatic event in the past and the present are expressed and, perhaps, compared so that the writer unravels how the past impinges on the present but how, too, it’s different.


so that’s what was missing.


when amy, my last therapist, first asked me what i felt during the abuse, i was lost. i didn’t have anything to say.
“i’ve never really thought about that. nobody’s ever asked me before.”
she was floored that, in my years and years of therapy, nobody had asked me about what it felt like to that little girl who was being abused. it didn’t seem all that strange to me; people wanted to know what happened, they wanted to know what my parents did, what john did, what i did. why would they care about what any of us felt? the feelings seemed irrelevant….because nobody had ever let me believe that they were relevant or told me that the “safety” i felt by avoiding them was actually a totally false sense of security. i’d become really good at telling the facts of what happened, with little or no feeling. feeling anything about it was dangerous, opened up things that i didn’t think i could bear opening up. so i didn’t.
and, until about three months ago, i kept up that stoic façade. and then i met T, a woman who, for the first time, offered the kind of safety that i’d always sought, but never found. when i told her my story, it was different. the story itself was the same, the facts didn’t change, and i still consciously left out those parts that felt (still feel) too shameful to share, but what i opened up in the telling of the story was profoundly different. when she asked me to tell her my story, and i obliged, i felt it. for the first time, when i told the facts that, over the years, have become a little mundane, i felt them in my heart and in my gut. i told a full narrative – a short version, but full nonetheless – of the story. i opened up, with her, a package with both facts and feelings.

“ah.” i thought, “that’s what it’s supposed to be like to break the silence. this is the kind of healing that people have been talking about.”

it’s all part of living fully, of living with your heart and your head. it’s bigger than a healing way of writing, it’s bigger than me telling my story in a full way, it’s bigger than my friendship with this woman who first showed me what heart-living was about.

writing in a way that heals is just a part of living in a way that heals. but i’m a writer, always have been. so, for me, writing in a way that heals is a big part of living in a way that heals. writing in a way that links my heart-understanding of what happened with my head-understanding of what happened…that’s what it means to “break the silence.” that’s what it means to live that old, possibly overused, easily misunderstood aphorism.



so, in that vein, let me tell you a story.
...............


...and this is where the post i've been working on veers off, unfinished, into convoluted storytelling, unorganized narrative, and totally non-healing writing. so instead, i'm going to end it in a different way. read on.

i could tell lots of stories. i've considered, thoroughly, my options for which story/stories to write in this way that's supposed to heal, which stories i could share on this blog.
there are plenty of easy ones. plenty. but they're "easy" because they're things i've already done a good deal of healing around/over/in. the ones i need to tell are the ones that...are hard.
like this new memory.
the one that i tried to tell my therapist about today...and couldn't get through all of it.

it's the things that are the hardest that i most want to do. i've never liked settling for the easier tasks. i thrive on challenges, on things that are supposed to be impossible or implausible.

so i can't tell you these "easy" stories.
because the stories i want to tell aren't easy.
and i can't tell you the hard stories, either. (because i can't tell myself these stories yet, either.)
but there will be stories. they'll come.
i promise (myself. and you).

Tuesday, February 26, 2008

updated list: upcoming posts.

my list just keeps growing.
seems the act of living does that.
there are always more (and more and more) things to write about.


so, here goes:
1) organizing, sans self-abandonment.
2) healing and intimate (romantic or otherwise) relationships.
3) shared woundedness, individual woundedness as played out in women's relationships with (hetero) men (examples, in my case, from the food service industry).
4) creating/finding/being in communities.
5) activism as woundedness/victimization, played out. (or not.)
6) writing/healing


and, new to the list:
7) heartbreak. as a heart-opening experience? (as in, the heart breaks, and the heart breaks open.) as exquisite pain. as pain you can learn from. i want to write something about not closing yourself off to feeling that pain. about not trying to erect those walls around your heart again. i want to write something about heartbreak as inspiration for more than angsty love poetry and whiny pop music. i want to write something about heartbreak as opening your eyes to different wounded parts of you that need healing. about not stifling that heartbreak in order to appear "above it" (when you're clearly not), but still containing it when it's not a safe place to express it.
i want to connect heartbreak to a larger picture, i want to explore why we, as a culture, avoid and silence and censor heartbreak so much...with ice cream, distraction, bad movies, chocolate. why we try so hard to not feel it.
i want to write all these things.
but i can't. not yet. it's all a little too raw still.
it will come.

Monday, February 25, 2008

the power of lies, the power of truth-telling.

i've got a couple of those "works in progress" posts started. i've got one about writing / healing about halfway done. (only half-)surprisingly, it's kind of hard to write. mostly because i'm not only writing about writing, but i'm trying to use the post as a beginning of the process of writing to heal. which means i'm trying to tell one of my stories in a complete way, linking both facts / events and emotions. i, of course, am trying to do so with one of those stories that i don't tell...the story that i've only told to a total of two people thus far - my old therapist and a very good friend. so writing this post the way i want to write it? is tough. to say the least.


however.

i've got a couple things i can start saying about writing.
or, more specifically, about words.
(inspired in part by a conversation i had recently with one of the incredible women who's part of this healing community i'm slowly finding / cultivating here in western mass.)

a lot (far too many) of us grew up in environments where words were used only in the form of lies. we couldn't speak the truth about our pain, about our real experiences, about our woundedness. our words became the things we hid behind, the things that provided us with a not-so-safe kind of safety. we might've used them to pretend that everything was fine, to sacrifice ourselves so as not to rock the boat. lied our way into convincing other people (and ourselves) that we were ok, that we were safe, that we weren't in the pain that we maybe couldn't really handle at that time. or we used our words to control other people, other situations, because at least that way, we could ignore what was really going on. we could avoid the situations that were far beyond our comprehension, our maturity level. and, of course, words were used almost entirely as lies told to us; telling us we were loved when every action by our parents or siblings or relatives or other adults clearly told us otherwise. telling us we were safe when we were anything but. telling us how important "the family" was, how important it was to look the part, do whatever we needed to do in order to give that illusion of a happy family. of a functional family. telling us that our acceptance and approval depended on being "beautiful" -- i.e. skinny, feminine, athletic, intelligent. telling us we weren't good enough. pretty enough. smart enough. white enough. or just simply enough. never, or rarely, telling us the truth.

so words, for so many of us, were a kind of betrayal. putting trust in these things that so often and for so long let us down, left us wanting, becomes difficult, incredibly so....but not impossible.

because we can reclaim these words. all of these words, all of this language that was for so long used against us. we can use them to tell the truth, instead of lies. use our voices, our mouths, our hands, our ink, our fingers, to tell the truth. claim and embrace our truth.

the truth, too, is just as powerful as these lies. more so, even, by virtue of it being the truth. more powerful because we know what the alternative is. more powerful because we're more conscious of what it is to tell the truth. more powerful, for ourselves, because in telling these truths, we're healing the parts of ourselves that have been so deeply wounded by the lies we've had to tell and the lies we've been told.

which means, of course, that writing -- writing truth, writing the truest reality -- is an exercise in healing. is a form of healing. it's a (potentially) public form of healing. which means, further, that its potential is immeasurably powerful. if writing the truth is healing for the writer, reading a writer's truth - her raw, uncensored, real truth - is healing for the reader, as well.



the power of words is, well, awesome. almost unbelievable. in the very literal sense of both of those words.




......it's funny. i'd started out this post thinking that i would make a couple statements about words-as-lies / words-as-truth, then move on to discuss #2 on my works-in-progress list - on relationships and being whole & open & healed/healing within them. seems my fingers and mind had something else in mind, though.
maybe next time.